The legendary country-music impresario Jim Halsey — with whom I have had the pleasure of co-authoring a couple of books — reflects on the holidays, some of his famous clients, and his one-of-a-kind collection of show-biz memorabilia in my OKLAHOMA Magazine column this month. You can read it here.

Pain is Part of the Process

Barron Ryan of Tulsa is a breathtakingly good piano player who just about ended his career trying to reproduce Art Tatum’s knuckle-busting 1933 version of “Tiger Rag.” You can read all about that, as well as learn his unorthodox approach to jazz music, in my OKLAHOMA Magazine column for November, available HERE.



I’m very glad to be a part of what is, at this writing, Amazon’s No. 1 bestseller in the Antique & Collectible Magazines and Newspapers category: IDW’s THE ART OF THE PULPS: AN ILLUSTRATED HISTORY. Edited by my pals Doug Ellis and Ed Hulse, along with the late Robert Weinberg — all top-tier names in the pulp-magazine world — it’s getting some really enthusiastic reviews. I was happy and honored to be able to write the section on detective pulps, as well as to appear alongside such pulp-scholar notables as Michelle Nolan, Laurie Powers, Will Murray, David Saunders, Mike Ashley, Tom Roberts, and Doug, Ed, and Bob themselves. It would be a terrific book without my contributions, but I’m sure delighted I got to be in there.
If you’re at all interested in pulp literature, check out THE ART OF THE PULPS on And while you’re there, take a look at HARD-BOILED CHRISTMAS STORIES, the perfect seasonal reading, featuring classic stories of Yuletide homicide plus a new Dan Turner, Hollywood Detective story by yours truly.


Back in 2007, my friend Leo Evans (HELL HIGH, CAFE PURGATORY) and I, along with a cast and crew that included my videographer son Jonathan and future FORGOTTEN HORRORS PODCAST producer Joey Hambrick, shot a documentary on the life of our friend, Bill Boyce — who, as the doc’s tagline notes, romanced Marilyn, played touch football with Elvis, shared cups of coffee with Clint, and starred in a science-fiction cult classic.
It may be a bit of a stretch to call 1963’s THE SLIME PEOPLE “a science-fiction cult classic,” but Bill sure enough starred in it, and he’s got plenty to say about making that 1963 picture in the documentary, which we dubbed BILL BOYCE: MONEY ACTOR.
Although it played to an enthusiastic preview audience in Tulsa, BILL BOYCE: MONEY ACTOR never landed an official release. Now, however, thanks to the work of Joey Hambrick, it is available to stream through Amazon Video.  
In BILL BOYCE: MONEY ACTOR, you’ll see Bill, an accomplished ballroom dancer, trip the light fantastic to one of his own unique compositions. (He recorded two CDs of original material that our friend, colleague, and originator of the FORGOTTEN HORRORS series of movie books called “absolutely sui generis.” ) You’ll also watch him school guys less than a third of his age on how to stage real-looking fights for the movies. And you’ll hear his tales of 1950s and ‘60s Hollywood and see him in character for one of his last performances, as doomed Oklahoma lawman J.B. Hamby on TV’s UNSOLVED MYSTERIES. 
There’s plenty more in BILL BOYCE: MONEY ACTOR, and the price is right. Check it out HERE

Out of a Mercedes Trunk and Deep Freeze

The story of how filmmaker Jeffery Haas brought the new Leon Russell DVD to life is as remarkable as the footage itself, which captures Leon at the height of his musical powers even as it shows the influence of TV and radio preachers on his stage patter. I’ve written about it in my latest OKLAHOMA Magazine column; you can read it here.


Most of us know Bartlesville’s Becky Hobbs as a country-music recording artist, songwriter, and playwright. In my OKLAHOMA Magazine column this month, Becky tells us about a not-as-well-known facet of her early show-biz, career, when she organized the first all-girl rock ’n’ roll group in Oklahoma — which later figured into her friendship with one of Hollywood’s most notorious pop-music figures.
Read all about it here.

A Shooting Star

My OKLAHOMA MAGAZINE column for August 2017 tells the story of actor Gar Moore, a guy from Chelsea, Oklahoma who became a matinee idol in Italy following World War II and, unfortunately, found himself unable to duplicate that success in his home country. You can read it here

Again, big thanks to Sandi Bible, Kristi Mariezcurrena, Connie McSpadden, and Meredith Walker for their help with this piece.


Highball_250Back in 1989, I wrote the teleplay for a made-for-TV movie called DAN TURNER, HOLLYWOOD DETECTIVE, which ultimately played in prime time over some 200 stations via the old LBS network. You may have seen it. In 1990, it was released on VHS by Fries Entertainment (as, unfortunately, THE RAVEN RED KISS-OFF), and while it has yet to secure a DVD release, it’s been kicking around for some years on various cable-movie channels.
Initially, the powers-that-be wanted a contemporary setting, although Dan Turner — a long-running pulp-magazine character — would retain the qualities (or vices) on display in pulps like SPICY DETECTIVE and HOLLYWOOD DETECTIVE during his 1930s-40s heyday. So I wrote the script that way, with a character right out of the classic hardboiled mold coming up against ‘80s types, including a metalhead cabbie.
Just about the time I finished the script, director Chris Lewis brought me the news that the backers had decided they wanted a period piece after all, so I spent a pretty frenetic week on deadline battling everything back to the 1940s, losing or transmogrifying a couple of characters in the bargain.
A few months ago, Bold Venture Press saw fit to print the original script, along with the pulp novelette it was adapted from and a new introduction, in a book called HOMICIDE HIGHBALL (the title of the original pulp story). Check it out online at or other outlets, including Amazon.
And while you’re there, you might want to look into THE TWILIGHT AVENGER RETURNS, a big book of 1930’s-style adventure that collects the first four stories artist Terry Tidwell and I did for Eternity Comics, back during the ‘80s black-and-white comics boom. There’s a ton of extras as well, all infused with a classic B-movie sensibility that’s thankfully shared by our publisher, Bill (The Mad Pulp Bastard) Cunningham at Pulp 2.0 Press (
I’m very proud of both these books and feel that they provide solid entertainment value for fans of pulp literature and good old B-pictures. May I humbly suggest you check ‘em out?


On behalf of co-host Michael H. Price and producer Joey Hambrick, I’m proud to say that we will be presenting a new Forgotten Horrors Podcast on the 13th of every month. As is the case with the acclaimed Forgotten Horrors series of books, originated by Michael and George Turner back in the ‘70s, our podcasts focus on obscure, weird, and/or unheralded movies from all eras, as we keep in mind H.P. Lovecraft’s famous dictum about horror being where you find it.
For August: We take a good look at 1965’s Day of the Nightmare, an oddball thriller of the Psycho school that was released in two very different versions. It’s our 31st broadcast in the series, and they’re all available at no charge at or
Please give us a listen and let us know what you think. And, as always, thanks for your support. DayoftheN