Coming Full Circle

The first time I interviewed bassist Dean DeMerritt, following his return to Tulsa from Atlanta four years ago, he told me he’d read and enjoyed GHOST BAND, my spook novel set in the world of touring musicians. Of course, that made me happy, but I guess it was kind of logical, since Dean spent a significant amount of time on the road with one of the most relentless of all the touring groups, Asleep at the Wheel. He also did lots of work in Fort Worth, playing with acts from blues bands to the city’s symphony orchestra, before heading to Atlanta and putting together a successful group called the Dean DeMerritt Jazz Tribe.

Back in Oklahoma, he’s continued his musical quest to make new converts to his music. As he puts it in my new OKLAHOMA Magazine column, “I want people who don’t normally like jazz to listen and say, `Hey, I guess jazz is okay after all.’” To that end, he’s been gigging regularly with a variety of top players and recording discs, including a fine new one with guitarist Sean Al-Jibouri and vocalist Sarah Maud called COMPARED TO NOW.

You can read more about it, and about Dean himself, right here.

A Band Roped into Success

The first of the Red Dirt acts to crack the national charts, Stillwater’s Great Divide has persevered for a quarter of a century. Read their story in my latest OKLAHOMA Magazine column, HERE.

 

I’m happy to report that the first volume of THE CLEANSING trilogy, my collaboration with longtime pal Robert A. Brown, is now on Amazon. It’s called SEVENTH SENSE, and Robert and I would be grateful to have you check it out.

 

More Than the Wills Boys

Tulsa’s Caravan Swing Band may have been the best unrecorded band in the history of western-swing music, with ex-Texas Playboys like Glenn “Blub” Rhees. Tommy Perkins, and the incomparable Eldon Shamblin on its roster. In fact, however, it was informally recorded at least once, in 1981, on reel-to-reel tapes during a live show. Now, producers Darrell Dowty and Linda Freeman have put together the best of those recordings onto a new disc. Read all about it HERE, in my latest Oklahoma Magazine column.

Dracula’s Ghost

Like Dr. Frankenstein, Claremore’s Craig Lamb has dug up old parts and stitched them together into something very creepy. Instead of a monster, however, he’s created a new monster Movie. You can read about Craig and his film, Dracula’s Ghost, in my latest Oklahoma Magazine column, found HERE.

The Mayor of the Midway

For decades, the late Bill Davis symbolized Tulsa’s rock ’n’ roll music scene as few others have ever done. I’ve devoted my September OKLAHOMA Magazine column to Bill. You can find it HERE.

Bill Davis performs with drummer David Teegarden at Cain’s Ballroom.

A Punk Music History

Three veterans of Tulsa’s original punk-music scene have created a brand-new documentary that’s already won a major international award. OIL CAPITAL UNDERGROUND is the subject of my latest OKLAHOMA Magazine column, and you can read all about it HERE.

Chad Malone with Brother Inferior performs at Gilman Street, Berkeley, California, in 1999.

Ending a String of Bad Luck

Because of production deadlines, my story for OKLAHOMA Magazine was written before Jimmy’s house fire, and also before we could get in news of the big benefit being held for him at the Cain’s Ballroom on Saturday, July 14th. Those scheduled to appear include Gary Busey, Don Nix, and Ann Bell, as well as a full roster of Tulsa all-star musicians. Click here for tickets

JImmy Markham is working hard to end a string of bad luck.

Among Art Deco Royalty

Working with the skilled photographer Sam Joyner, my good friend and great editor and writer Suzanne Wallis has just produced ART DECO TULSA, an ode to Tulsa’s Art Deco buildings and the people who made them. Read all about it HERE.

Boston Avenue METHODIST CHURCH HAS A ZIGZAG FORM OF ART DECO ARCHITECTURE.

The Heart Sings

Although he died much too early, Brandon Jenkins left an indelible mark on everyone who heard his music. My latest OKLAHOMA Magazine column, celebrating Brandon and his work, can be found here.

 

 

 

 

 

 

 

 

 

 

PHOTO COURTESY BRANDON JENKINS (2015)